AGOST<\/h1><\/div><\/div><\/div><\/div><\/div>The endless footprint of clay in Agost<\/h2>\n
In Agost, clay is not craftsmanship: it is biography. Pottery is documented as early as 1277, and several current lineages can be traced back at least to the 18th century. That continuity can be felt in the former factory of Severino Torregrosa (1902), now the Pottery Museum, which preserves \u201cArab\u201d kilns, settling basins and workshop areas: a journey through the craft within its own place of work.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
The ceramic soul of Agost<\/h2>\n<\/div>\n\n\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/arterraceramica.com\/wp-content\/plugins\/codespacing-progress-map\/img\/svg\/addition-sign.svg\")
<\/div>![](\"https:\/\/arterraceramica.com\/wp-content\/plugins\/codespacing-progress-map\/img\/svg\/minus-sign.svg\")
<\/div><\/div><\/div><\/div>![](\"https:\/\/arterraceramica.com\/wp-content\/plugins\/codespacing-progress-map\/img\/svg\/recenter.svg\")
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The endless footprint of clay in Agost<\/h2>\n
In Agost, clay is not craftsmanship: it is biography. Pottery is documented as early as 1277, and several current lineages can be traced back at least to the 18th century. That continuity can be felt in the former factory of Severino Torregrosa (1902), now the Pottery Museum, which preserves \u201cArab\u201d kilns, settling basins and workshop areas: a journey through the craft within its own place of work.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
The ceramic soul of Agost<\/h2>\n<\/div>\n\n\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
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